We recently completed a fun project that is notable for a few reasons. The first is because the subject of the project was creating on online exhibit on the making of Severo Perez’s beautiful film, … and the earth did not swallow him, based on Tomás Rivera’s classic 1971 Chicano novel, …y no se lo tragó la tierra, which is a semi-autobiographical novel that recounts the life of workers and families of the migrant camps where his family stayed while doing farm work. In 1995 Severo Perez wrote an English screenplay, using his own translation, produced, and directed a film version of the novel. The film was well received and received critical acclaim and several film awards.
Several websites that feature juxtaposed historic and recent images have appeared over the last year. It is a fun way to showcase historic images in an archive. The Knight Lab at Northwestern University has created an easy tool to create photo juxtapositions. The software allows a user to move a slider to swipe between the two versions of an image.
We decided to use the JuxtaposeJS software to create a few test images to learn more about the process. We took a couple of prints of historic photos of Old Main we had recently digitized, and tried to find the locations from where they were shot. For this pilot project, we did not use the high resolution PhaseOne digital camera. We wanted to keep the amount of equipment we needed to carry to a minimum on our first attempt, so Jeremy used a smaller Olympus OM-D E-M5II capable of stitching together 40mb images from several shots, and a tripod.
The resulting images were scaled and visual reference points lined up in Adobe Photoshop. The JuxtaposeJS website automatically creates the HTML embed code to insert into a website.
During the early part of the University’s history, “work study” apparently meant something different than it does today. While listening to a digitized 1974 oral history, I stumbled upon an amusing recollection from Biology professor Thacher R. Gary and his wife Nawona (both also 1940 graduates of Southwest Texas State Teachers College.)
They recalled the hardships on students in the 1920s and 1930s and that most students worked and many could only afford one meal a day. In recalling that some would do anything to stay in school, they recount that several students had kept cows on campus in the early years, including J. C. Kellam and his brother, and they would sell the milk to other students to help earn money.
The Digital & Web Services Department has mounted a physical exhibit in the Alkek Library to showcase digitization at the Library. It is scheduled to be displayed from September through December 18, 2015. Located on the 1st floor of the Alkek Library and entitled From Paper to Pixels: Digitization at the Alkek Library, it uses samples from recent projects to provide a look at some of the equipment and procedures used for digitization.
The exhibit also features a step by step photo breakdown of the dis-binding process used in preparation for scanning the Pedagogs, the student yearbook.
Although the title of the exhibit only mentions paper, it also features work on digitizing audio and video. Physical examples of open reel, cassette, Betacam and Hi-8 tapes are on display and screens-shots demonstrating the capture of audio are shown.
Selected photographs printed from the unlabeled negative project are also on display including a large print of Dana Jean Smith and Gloria Odoms, taken on the day Southwest Texas State College was officially integrated in February 1963.
The University Archives holds nearly 200 oral histories on open reel and cassette tape, dating from the 1970s through the early 2000s. Graduate student Virginia Pickel has begun digitizing these materials.
In 1974, longtime Wimberley residents Mr. & Mrs. Emmet Cowan participated in a recorded interview for an oral history project. This excerpt contains a short portion of the recording where the interviewer asked if they had ever seen any floods of the Blanco river. They recall a major Blanco flood in May 1929 that forced them to move to higher ground and minor flooding in 1900 and 1957-58.
The Digital & Web Services department began uploading digitized versions of the university yearbook, the Pedagog, in March 2015. Promotion for the site has included a featured link on the main library website, the University Archives Facebook page, and the Alumni newsletter. The site can also be found through Google.
During a nineteen hour period during the second week of June the site experienced an unusual amount of traffic. Logs revealed that it had been generated through a post on Reddit, a social media platform of online communities. Since Reddit has become so popular and posts can direct so much traffic to a site, servers can be overwhelmed and slow to a crawl. This has been dubbed, “the Reddit Effect.”
Our site is hosted on a Virtual Machine that has been allocated CPU and memory resources adequate for the relatively small amount of regular traffic currently drawn to the site. Within hours of the Reddit post, incoming traffic began to overwhelm the capacity of the server. The increase lasted for about 6 hours until it began a steady decline. Another media site, Cosmo, posted a story re-blogging the link 13 hours after the original Reddit post. Although there was not another spike in traffic, it may have lengthened the plateau until traffic fell to usual levels.
Reddit directed over 4,400 additional visitors to our site over a 19 hour period.
A recently completed project for the Digital & Web Services department is the digitization and online exhibit creation for the recently acquired Santiago Tafolla manuscript. A description of the history of the manuscript and its acquisition by The Wittliff Collections is contained in a press release on The Wittliff Collections web site.
It is the handwritten personal memoir of Santiago Tafolla recounting the first 39 years of his life. It is a fascinating document and includes first hand observations during the U.S.- Mexico war, the Texas Indian Wars, and recounts his experiences as a Mexican-American Confederate soldier during the U.S. Civil War.
The manuscript consists of two legal sized pads and the paper has become brittle with age. It was decided that conservation and digital photography would have to happen at the same time. Each page was digitally captured and then carefully removed and placed in a protective Mylar sleeve, revealing the next page to be photographed.
The manuscript was photographed using the PhaseOne iQ180 digital back using Capture One version 8. Images of individual pages were saved as 400ppi 8-bit RGB tiffs and composite PDF versions of each manuscript were also created.
The online exhibit was created and is hosted on the Omeka open source software. Our new programmer Jason Long, first created a new launching page where this and future Wittliff Collections exhibits will live. Using the open source JQuery plugin Justified Gallery, he created an image-based linking page. There are already a number of Wittliff Collections exhibits on other platforms and they were also incorporated into the gallery.
The Tafolla exhibit itself uses the open source Unite Gallery JQuery plugin. The exhibit builder theme first had to be customized to conform the data to the plugin’s requirements.
When A.B. Rogers purchased the land at the head of the San Marcos River in 1926, the area had long been a favorite scenic spot for recreation and picnics. Within two years, Rogers began constructing a hotel that overlooked Spring Lake.
Twenty years later his son, Paul Rogers, created a new attraction for hotel guests and other visitors when he launched the first glass bottom boat in 1946; the crystal-clear water in Spring Lake allowed for stunning views of the underwater springs and wildlife.
Rogers then proceeded to build what became a wildly popular theme park known as Aquarena Springs. By the 1970s, as many as 350,000 people would visit annually to see the underwater mermaid show and star attraction, Ralph the swimming pig.
Times changed, along with the public’s taste in entertainment, and the theme park eventually gave way to a heightened interest in endangered species, conservation, and education about the importance of our water resources. Texas State University acquired the 90-acre property in 1994; in 2002 the Aquarena hotel became the home of The Meadows Center for Water and the Environment, a multidisciplinary center which focuses on water-related research and education.
The University Archives holds a number of materials related to the history of the Aquarena Springs. The Digital & Web Services Department began a new partnership with the Texas State University Public History Program and welcomed our first graduate student intern this semester, Jason Crouch. He is working closely with the University Archives and the Digital Media Specialist to begin processing and digitizing some of the Aquarena Springs material. An online exhibit is planned for the end of the Spring 2015 semester.
The Aquarena Springs collection contains a variety of audio/visual formats including material on VHS, Betacam, Hi8, miniDV, cassette, and open reel tape. A note of special thanks goes to staff at Texas Parks and Wildlife Television who, through a bit of good timing, helped us arrange the transfer of surplus analog video equipment from their television program to Texas State University. Included was a Sony BVW-70 Betacam SP recorder/player and Sony DSR-PD150 miniDV Digital Camcorder, both of which will be used to digitize items in the collection.
The following video is a sneak preview of what is in the collection. This is a 30 second television spot from 1994 advertising Aquarena Springs originally recorded on BetacamSP tape.
The most famous alumnus of Texas State University is former President Lyndon Baines Johnson, although the institution was known as Southwest Texas State Teachers College when he graduated in 1930. Materials relating to President Johnson are housed in the University Archives and many have already been digitized. Two library guides about Johnson are available: one includes information and resources about LBJ as a student, and one is dedicated to the Higher Education Act of 1965 that he signed in Strahan Gymnasium (now the Music Building).
In the decades following his graduation, Johnson made quite a few trips back to campus to participate in events. In November 1971, the Alumni House hosted an exhibit created by Harry Middleton and Gary Yarrington, Director and Curator of the LBJ Library in Austin. The exhibit, titled “Lyndon Baines Johnson at San Marcos,” featured memorabilia relating to President Johnson, including the desk he sat at when he signed the Higher Education Act of 1965. Johnson himself attended the exhibit opening and delivered a speech on the occasion.
The audio recording of President Johnson’s speech was made on an open reel, a technology that has long been surpassed by other media formats. Fortunately, the original recording was saved and eventually became part of the University Archives. More than 40 years later, Digital and Web Services has brought this recording back to “life” and made it accessible for the first time in decades.
The Alkek Library recently constructed a new Audio and Visual media digitization area to help rescue the content of outdated media formats. This 1971 recording of LBJ at San Marcos Exhibit was the first reel-to-reel tape to be digitized and added to the Digital Collections. The ability to reformat historical recordings is a huge step in the process of reclaiming the history of the University; audio reels from other collections can now be scheduled for digitization and then made available to researchers.
LBJ Speaking at Southwest Texas State University, November 1971
(LBJ begins at 09:30)
Since its official founding in 2006, the University Archives has received hundreds of linear feet of materials from a wide variety of campus offices. For the first time, departments have a place to transfer historical materials that had been sitting in storage for years. Rescuing this history is a wonderful thing for the institution, but the down side is that many boxes transferred lack any kind of descriptive information about the contents.
For example, a set of 16 boxes marked “old black and white negatives” dating from the 1960s are believed to have originated in the yearbook offices. There is no catalog or index of topics, so the thousands of unlabeled negatives are effectively inaccessible. Another 58 boxes of negatives dating from the 1970s have only basic descriptions for each negative set.
The Digital & Web Services Department, which has both the equipment and the student workers to handle large volumes of negatives, volunteered to start scanning highly-used as well as some of the unlabeled negatives to improve access.
During an archival review of the first 1021 scans, some of the images were identified as Homecoming 1962,
a theatre production of Misanthrope,
and visiting actor Basil Rathbone performing on stage and signing autographs.
While watching the Digital Media Specialist review scanned images on November 5, the University Archivist was surprised to see Dana Jean Smith in one of the images. A closer examination indicated that these photos were likely taken on the day Southwest Texas State College was officially desegregated in February 1963. It was believed that no documentation of the registration existed as interviews with administrators suggested that reporters and photographers were not allowed to document the registration process.
These images are highly significant to Texas State – historical “golden nuggets” that document a transformational event in our institutional history. A total of 34 negatives of the registration process were identified, and include images of Ms. Smith, Georgia Hoodye, Gloria Odoms, and Mabeleen Washington. Helen Jackson was the fifth African-American woman to enroll in the spring of 1963. She is not pictured as she enrolled the following day.
The University Archives created a resource guide to the 1963 Desegregation of the University containing additional photographs.